在多数社会中,音乐、舞蹈或是戏剧总是与多国宗教传统发生着联系。例如基督教、佛教、伊斯兰教或是某些地方信仰体系和带有超自然现象的沟通实践。宗教中的表演艺术和仪式不仅与宗教仪式和庆典相结合,也与不同的戏剧和舞剧传统中相结合,如那些专为神灵或是与宗教节日共同表演的戏剧和舞剧。我们也希望能有涉及到表演的仪式化内容的论文,即便这些内容是在世俗的背景环境下,即J. H. Kwabena Nketia所谓的 “熟悉的形式和内容被再生产、再创造、再展演,它们也因此成为了审美行为的焦点。”
July 12, 14:00 Music and Dance in Southeastern Europe
July 12, 16:00 Applied Ethnomusicology
July 13, 12:15 Musics of East Asia
July 13, 14:00 East Asian Historical Musical Sources
July 13, 16:00 Multipart Music
July 13, 18:00 Maqām and Music in the Arab World
July 15, 10:15 Iconography of the Performing Arts
July 15, 13:30 Music of the Turkic-Speaking World
July 15, 16:00 Music and Dance of Oceania
July 16, 10:15 Iconography of the Performing Arts
July 16, 13:30 African Musics
July 16, 16:00 Music and Minorities
Thursday, July 11
IA Opening Ceremony (9:00 - 10:00)
10:00 - 10:15 Tea and Coffee Break
IB Paper Sessions (10:15 - 12:15)
IB1 Performing Musical Pasts for Identity Formation among Chinese Individuals. Tasaw Hsin-Chu Lu, chair.
10:15 Nostalgia in Guoyue: Zi-Ming Gao as Diasporic Individual after 1949 in Taiwan. Tsai Ho-ju
10:45 Coming Out in the Closet: Girls’ Generation and Sexual Politics in Gay Bars in Taiwan. Lai Yen-fu
11:15 Changes in Amei's Pop Music: The Art of Resistance from Amei to Amit. Peng Wei-hao
11:45 "The Imaginative China: Nostalgia in Martial Arts TV Original Soundtracks in 1980s' Hong Kong." Chang Chia-Hsin
IB2 Interrogating the Concept of Tradition
10:15 Early Swedish Music in Deep Water. Cajsa Stromberg Lund
10:45 Which Past and What's Tradition? Or, It's Not My History, It's History of My Moves. Juliette O'Brien
11:15 Thai Music in a Series of Archaeological Dances: An Interpretation of Historical Symbolic Meaning. Kitta Kongtuk
11:45 Evacuating "Tradition" in the Creativity Process of Contemporary Seychellois' Musicians and Dancers or the Desire to be "Modern." Marie-Christine Parent
IB3 Musical Moves in the Cold War Context
10:15 European Musicians in East Asia during the Second World War. Kyungbook Lee
10:45 Attraction and Repulsion: Lang Lang's "My Motherland" and the Sino-US Cold War Legacy. Hsu Fang-Yu
11:15 Memories and Moving Forward: South Korean Military Bands and the Commemoration of the Korean War. Heejin Kim
IB4 Ritual Space and Performance
10:15 Performance as Art, Performance as Ritual: The Safeguarding of Mbira Dzavadzimu Music and Performance Practice through Shona Traditional Ritual Performances. Claudio Chipendo
10:45 Izumo Kagura: Interpretations of Japanese Ritual Theatre. Terence Lancashire
11:15 P'ansori in Multiple Ritual Spaces: Different Performing Spaces of One Musical Form in a Cross-border Korea-China Context. Ning Ying
11:45 Musical and Human Interaction in Puppet Plays from Rural Zhejiang: A Performative View. Li Ya
IB5 Role and Function of Music in Ritual I
10:15 Kirtan Chaunki: Affect, Embodiment, and Memory. Janice Protopapas
10:45 Connecting Symbolism, Function, and Difference in a Tibetan Adept's "Interpretative Community": Variations in Ritual Performance of the Tibetan gCod Damaru Drum. Jeffrey Cupchick
11:15 Jurema: Sacred Music and Body Facing Racism and Sexism in the Northeast of Brazil. Laila Rosa
11:45 Regeneration and Transcendence through Rituals: The Disruptive Role of Choral Singing in Twentieth-Century Portugal. Maria de Rosário Pestana
IB6 Traditional African Music in Contemporary Contexts
10:15 “It's the Real Thing": The Marketing of an African Identity in a West African Dance Class. Elizabeth Rosner
10:45 Isukuti Music: An Academically Dwarfed Luyia Drum Music beyond the Drumming. Aggrey Nganyi Wetaba
11:15 The Musical Patrimonies of Bongo Pygmies from Gabon : Patrimonies under Influences. Sylvie Le Bomin
11:45 Constant Repertoire in Varying Performance Contexts: The Case of Djama Songs among the Youth in Ghana. Devine Gragbo
IB7 Embodying Concepts and Politics through Musical Performance
10:15 Embodied Rhythms: Understanding Music Making in a Community with Sidi Drumming as a Case Study. Vibhuti Sharma
10:45 Separating the Folk Sound from the Folk Body: Hereditary Musicians in India's Vernacular Music Industry. Stefan Fiol
11:15 Presenting and Representing Gurung Music of Nepal. Pirkko Moisala
IB8 Festivals, Arts Policies, and Tradition
10:15 Representing Indigeneity Through Fusion Music and Dance. Liz Przybylski
10:45 Musical Transculturation at the 11th Festival of Pacific Arts: A Creative Approach to the Sustainability of Tradition in Francophone Pacific Islands. Geoffroy Colson
11:15 On Building Culture Space for the Heritage of Chinese Music: The Beijing Music Festival and Taichi Traditional Music Award. Zhao Talimu, Xie Jiaxing, and Liu Rong
IB9 Mediascapes, Musical Diversity, and Contemporary Theoretical Challenges
10:15 Genres and Fields. Timothy Taylor
10:45 "Welcome to the World": Traditional Music and Audio Recordings for Children. Kajsa Paullson
11:15 Diversity of Recorded Music Production Practice versus Diversity of Musical Style in Papua New Guinea. Denis Crowdy
IB11 (in Chinese). Yunnan Xishuangbanna Minority Musics Study. Luo Qin, chair.
10:15 Arrangement and Creation: Two Changes of Songs in the Jinuo People's Spring Festival “Tèmàokè.” Huang Wan
10:45 Song and Dance of the Green Desert: On the Development and Protection of Ethno Minority Music under the Natural Ecology and Social Ecology. Hu Bin
11:15 Listening to Musical Dialogues of Three Generations: A Study of Ecological Music Culture at Jinghong in Yunnan Province. Wu Yan
11:45 Let Me Understand Your Voice: From “National Identity,” Research on the Musical Ecology of Four Minorities in Xishuangbanna. Zhang Yuanli
12:15 - 13:30 Lunch
IC Plenary Session: Presention and Representation in Minority Music and Dance (13:30 - 15:30). Ursula Hemetek, chair
13:30 Sounding History: Research on the Mongolian Instrument "Chor." Xu Xin
14:00 Minorities Becoming Majorities? Papua New Guinea Music and Dance Representations. Don Niles
14:30 Indigenous Representations of Ritual Performances and Sacred Spaces in Sámi Cinema: A Case-study of Ofelaš (Pathfinder). Tina K. Ramnarine
15:00 Managing Minorities: Representations of South Sulawesi’s Music and Dance in Indonesia and Beyond. R. Anderson Sutton
15:30 - 16:00 Tea and Coffee Break
ID Paper Sessions (16:00 - 18:00)
ID1 Rethinking, Reconstructing, and Reinventing the Musical Pasts of the Chinese Diasporic Communities. Tsan-huang Tsai, chair
16:00 Transnationalism and Everyday Practice: Chinatown Theaters of North America in the 1920s. Nancy Yunhwa Rao
16:30 Vernacular Cosmopolitanism: Music of the Baba Local-Born Chinese of Pre-World War II Malaya. Sooi-Beng Tan
17:00 Cultural Capital and New-land Survival: Chinese Dragon Dance Performances during the White Australian Policy Era. Tsan-huang Tsai
17:30 Cultural Homogeneity, Embodied Empathy: Reconstructing the Musical Pasts amongst Burmese Chinese Peoples Worldwide. Hsin-Chun Lu
ID2 Musical Pasts and the Re-imagining of Identity: The Historiography of Ethnographic Practice in Music and Related Media. Peter Treager, chair.
16:00 19th-century "Malayan Airs" and the Historiography of Ethnographic Practice. David R. M. Irving
16:30 Re-imaging the Musical Past: Images of European Composers in the Mechanical Age. Alan Davison
17:00 Authenticity and Appropriation in Hollywood Film Scores. Peter Tregear
17:30 Nhạc tài tử: Lost in Translation. Le Tuyen Nguyen
ID3 Rethinking Historical Sources on Musical Practices
16:00 Portrait on the Double Ninth: A Glimpse into the Recirculation of Twelfth-Century Literati Music in Eighteenth-Century Yangzhou. Yang Yuanzheng
16:30 Hemitonic Pentatonic Scales in Chinese Music in the Past: An Evidence-based Study of Historical Musical Sources. Tse Chun Yan
17:00 Sheng and Yin: Embodying Aesthetics within the Chinese Zheng. Han Mei
17:30 Creating a Tradition: the Qinzheng School in Xi’an. Sun Zhuo
ID4 Recontextualizing Tradition
16:00 Cultural Recovery within a Musicking Society: Armenian Music in Turkey. Burcu Yildiz
16:30 The Place of the Minstrel (Aşık) Şeref Taşlıova in the Minstrel Performance Genre in Turkey. Armağan Elçi
17:00 Musical Historicity and Nationalism: A Case Study on Contemporary Re-Representations of a Sufi Qawwali Song in India and Pakistan. Huang Pei-Ling
17:30 Musical Migrations & Transformations: Contemporary manifestations of Middle Eastern Music in Australia. Jenny Game-Lopata
ID5 Roundtable: Frameworks for Musical Sustainability. Huib Schippers, chair. Huib Schippers, Dan Bendrups, Keith Howard, and Phil Hayward, participants
ID6 Christian Music around the World
16:00 Inculturation and Catholic Music in Indonesia: A Case Study of the Church of the Sacred Heart of Jesus at Ganjuran (Paroki Hati Kudus Tuhan Yesus Ganjuran). Wu Peichang
16:30 The Plainchant through Four Hundred Years: Church Music, Religion, and Society of the Old Order Amish People in Lancaster County, Pennsylvania, USA. Yuanyuan Sun Voelkl
17:00 Revival and Innovation: The Praise and Worship Music Phenomenon of The Big Church of Qibao, Shanghai. Fang Bo
17:30 Indigenous Worship in African Churches: Six Stages of Music Development. James R. Krabill
ID7 New Perspectives on Musical Instruments
16:00 The Suona, a Treasure Bequeathed by the Chinese Minority to Cuban Music Culture. Rolando A. Pérez Fernández
16:30 A Viet Musician on a Hmong Flute: The Politics of Minority-Majority Musical Fusions in Vietnam. Lonán Ó Briain
17:00 Karna, Symbol of Ancient Heritage: How this Ancient Instrument Survives in the Isolation of a Small Village in North Iran, through Religious Rituals. Bahram Osqueezadeh and Roshanak Nouri
17:30 The Techniques and Theory of Guqin Dapu. Dai Xiaolian
ID8 Composition, Creativity, and Tradition
16:00 The Shakuhachi Player Yoshida Seifū and the Formation of New Japanese Music. Mamiko Naka
16:30 An Investigation of Three Chamber Works of George Crumb between 1966 and 1976. Ang-Cheng Kris Ho
17:00 Tradition as a Creative Context of the Contemporary Composer. Galina Bodareva
17:30 Cheng Gongliang and his Qin Music: Embodied Knowledge and its Musical Expression. Li Juan
ID9 Thai Music in History and Society
16:00 The Mangkala Traditional Folk Procession Band: Historical Questions on Its Movement from Sri Lanka to Middle Thailand. Nattanit Nakpee
16:30. Lanna Music Iconography in the 17th-18th Century. Nithit Pangnoi
17:00 Thai Popular Songs: History and Singing Skills Development. Nutthan Inkhong
17:30 Thai Traditional Music for Puppet Theatre Plays. Kanlayanee Saisuk
ID10 Music, Theatre, and Ethnicity in Mainland Southeast Asia
16:00. The Clarinet in Wayang Kulit Music: Solos based on Maharisi, Berjalan, and Perang. Hamdan Adnan
16:30 Change in the Pinphat Music Ensemble of the Khmer-Thai Ethnic Group in Northeastern Thailand. Chalermsak Pikulsri
ID11 (in Chinese) Chinese Ritual Music and Ritualized Performance
16:00 About the Li People's Ritual Music. Liu Houyu and Lin Riju
16:30 The Influence of Traditional Music on the Catholic Religious Service. Ma Li
17:00 The Dance and Music of Life: An Ethno-Musical Study on the Lusheng Dance of the Lahu Ethnic Group in Yunnan Province. Huang Lingfei
17:30 Research on Duancun "Yin Yue Hui." Wang Chang
ID12 Film Screenings
16:00 Islands of Interpretation: The Cultural Circuitry of Gambus and Zapin in Nusantara. George Murer
17:00 Music of Nan Province: The 100th Anniversary Celebration of Chulalongkorn University. Pornprapit Phoasavadi
Friday, July 12
IIA Paper Sessions (8:15 - 10:15)
IIA1 Expanding Minority Music: Minorities in Sweden in Interaction with National and International Music Scenes. Krister Malm, chair
8:15 Does Transculturation Lead to Imploding of the Saami-ness of Saami World Music? Olle Edstrom
8:45 Music, Nusah, and the Old Way of Singing: The German-Jewish Reform Movement and the Roots of Ethnomusicology. Anders Hammarlund
9:15 Small Pieces of Pie Everywhere: Balkan Music in Sweden. Jill Ann Johnson
9:45 Swedish Prison Songs. Dan Lundberg
IIA2 Action-Research Musical Ethnography in Graduate Programs of Brazil and Portugal. Susana Sardo, chair
8:15 Reengaging Ethnomusicology in the Real World; Politico-Epistemological Dimensions of Intercultural Dialogue in the Ethnography of Music-Making. Samuel Araújo
8:45 “M362-P7": Between Portugal and Brazil in the Quest for Ethnomusicological Research Methodology. Ana Flávia Miguel
9:15 Authorship and Collaborative Research: Problems and Inquiries in the Context of a Postgraduate Degree in Music. Pedro Mendonca
9:45 Collaborative Research in Ethnomusicology: Narratives of Diversity in Different Political and Academic Places. Susana Sardo
IIA3 Dance, Choreography, and Martial Arts in Changing Contexts
8:15 An Exploration of the Re-presentation and the Contemporization of an Irish Traditional Step Dancing Practice in North Kerry, Ireland. Catherine Foley
8:45 From the Malay Court to the Kampong: Musical Appropriations in Malaysian Martial Arts Accompaniment. Lawrence Ross
9:15 Two Choreographies, One National Identity: Gaucho Past Times and Afro-Brazilian Dances in Present-day Uruguay. Marita Fornaro
9:45 Cultural Dance Surviving in a Changing World. Michael Clement
IIA4 Music, Ritual, and Power
8:15 The Invention of Calabanga, Camarines Sur: Dynamics of Family and Power. Juliet Bien
8:45 Power and Responsibility: Royalty and the Performing Arts in Ghana. Kwast Ampene
9:15 Violence and Ritual of Folia de Reis in Southern Brazil. Marcelo Lopes
9:45 A Study of the Music Images in the Pictorial History of the Nanzhao Kingdom. Wang Ling
IIA5 Musical Structures and Theories
8:15 The Variations and Deep Structural Analysis of Dolan Muqam. Teng Zhen
8:45 Structure and Form in the Traditional Music of the Transylvania Plaine: Representation in the Context of Performing. Lucian Emil Rosca
IIA6 Song and Dance in Ritual
8:15 The Spiritual Politics of the Teueikan Song Performance of the Innu People (Canada). Veronique Audet
8:45 Ritualizing Process in the Duige (Antiphonal Folk Song Singing) among the Zhuang Ethnic Nationality in Guangxi. Xiao Xuan
9:15 Call a Name: Why the Thaw Tribe of Taiwan Sings Shmayla to Celebrate the New Year with a Rite of Passage. Wei Xinyi
9:45 Maha Duriyang: The Extra Large Size Thai Traditional Ensembles. Poonpit Amatyakul
IIA7 New Perspectives on Music and Pedagogy in East Asia
8:15 Thinking after Taking Summer School Ikuta Koto in Geijutsu Daigaku. Zhang Yuwen
8:45 Gorgeous Music Audio: Matatu Music and Popularity. Li Chenyu
9:15 "It's Easy, Right?" The Struggle to Teach Kugak through Traditional Instruments in the ROK's Public School System. Hilary Finchum-Sung
IIA8 Music, Dance, and Technoculture
8:15 Feedback-Screening. A Methodological Approach in Dance Research in Madagascar. Cornelia Gruber
8:45 Home Video and the Growing Youth Violence Culture: The Nigerian Experience. Frances Nnamani
9:15 Development of Maasai Chant Music in the Face of New Technology in Kenya. Mark Lenini Kasii and Aggrey Nganyi Wetaba
IIA9 Music, Ritual, and History in Chinese Minority Music
8:15 The Historical Narrative of the Chui Chui Qiang Opera of the Bai Minority Ethnic Group in China. Qin Si
8:45 Five Decades of Song: Kam (Dong) Village Singers and their Personal Experiences of Musical Change. Catherine Ingram, Wu Meifang, Wu Pinxian, and Wu Xuegui
9:15 Writing the Histories of a Chinese Ritual Music: The Dongjing Tradition of Southwest China. Helen Rees
9:45 Inheritance of Faith: The Phenomenon of Yunnan Dongjing (Religious Scripture) Performance. Zhang Boyu
IIA10 Music, Ethnicity, and Senses of Place
8:15 Shaded Origins: On the Routes of a Minority's Lament Tradition. Marko Koelbl
8:45 Gongs, Sociality, and Shifting Modes of Economic Exchange in West Sumatra. Jennifer Fraser
9:15 Ati-Atihan Lives. Patrick Alcedo
9:45 Sounds of Bulang Mountain: The Musical Construction of Place. Friedlind Riedel
10:15 - 10:30 Tea and Coffee Break
IIB Plenary Session: New Research (10:45 - 12:15). Deborah Wong, chair
10:45 Disability Rocks: A Music of Our Own? An Exploration of Crip Culture. Anthea Skinner
11:15 World Music from China. Mu Qian
11:45 Ethnomusicology in Times of Trouble. Timothy Rice
12:15 - 13:30 Lunch
IIC Paper Sessions (13:30 - 15:30)
IIC1 Changing Contexts of Philippine Ritual Musics. José Buenconsejo, chair
13:30 Awaiting the Gift: Context and Meaning of the Music in the Philippine Misa de Aguinaldo. Maria Alexandra Inigo-Chua
14:00 Nationalism in the Music of the Iglesia Filipina Independiente (Philippine Independent Church). Arwin Tan
14:30 Responses to Culture Change in the Ritual Practices of Sarangani Blaan: The Case of Instrumental Music Odél (log drum) and Fuglung (two-stringed lute). Mi Hyun Oh
15:00 Visayan Modernity and its Disenchantment of the Mystical Agusan Manobo Ritual Voice. José Buenconsejo
IIC2 (Re)Sounding and (Re)Imag(in)ing India’s Past: Tradition and History as Musical Constructs on the Indian Subcontinent. Victor A. Vicente, chair
13:30 Rethinking the Value of Tradition: How a Woman Changed the Role of the Ghatam on the South Indian Classical Music Stage. Zhang Xiao
14:00 Reinventing the Raga: Traditional Sentiment and Sound in Hindi Film Song. Natalie R. Sarazin
14:30 Once Upon a Time in Bollywood: Old Themes as Recent Trends in Contemporary Indian Film Music. Victor A. Vicente
IIC3 Individual Agency and National Sensibilities in African Music
13:30 African Diasporic Musical Relations: A Kenyan Perspective. Donald Otoyo
14:00 Towards a Compelling Historiographical Study of the Life and Work of Vinorkor Akpalu. George Dor
14:30 The Figuring of Marimba in Semzaba’s Novel Marimba ya Majaliwa. Imani Sanga
15:00 Efforts of Dor, Badu, and Annan in the Transformation of Traditional Music Elements into Contemporary Ghanaian Choral Music. Joshua Amuah
IIC4 Buddhist Music and Ritual
13:30 The Luxury Interpretation of Zen: From the Ethnomusicology Aspect. Cheng Kejia
14:00 The Comparative Study of Xuanjuan Ritual Music in Wuxi and Jinxi. Li Ping
14:30 Secular Tunes in Buddhist Vocal Liturgy. Hwee-San Tan
15:00 From Rite to Stage: Liturgical and Para-liturgical Music-Dance of Modern-day Taiwan. Ho Li-Hua
IIC5 History and Agency in Brazilian Music
13:30 Rethining Musical Pasts through Muffled Historical Records. Maria Elizabeth Lucas
14:00 From a Sound Signal to a Soundmark: The Recontextualization of "Berrante" in Brazil and its Presence in the Music of the Rural Man. Alexander Duarte
14:30 Animals as Agents in Song: A Missing Ontological Link? An Investigation in the Western Amazon. Bernd Bradec De Mori
IIC6 Ritual, Dance, and Theatre
13:30 Namadu Ritual Music and Dance of the Bagwere People from Eastern Uganda. James Isabirye
14:00 Ritual Soundscapes and Ethnic Characteristics: The Huanyuan Ritual of the Han Chinese of Central Hunan Province and the “Red” Yao People of Southwest China. Wu Fan
14:30 The Development of Lao-Ting Shadow Play's Music. Qi Jiang
IIC7 Creating, Sustaining, and Safeguarding Musical Communities
13:30 A Place at the Table: Making Place within Cape Breton’s Traditional Music Community. Kathryn Alexander
14:00 Creating a Community of Learning. Bryan Burton
14:30 Pedagogy of Cultural Sustainability: A Case Study From the Red River First Nations, Alberta, Canada. Michael B. Macdonald
15:00 Analysing and Repatriating: A New Strategy to Safeguard Endangered Aboriginal Australian Song Traditions. Sally Treloyn
IIC8 Music, Society, and their Impact on Children
13:30 Amplifying the Voice of A Child: The Importance of the Arts Among Children of Abidjan, Côte d’Ivoire. Ty-Juana Taylor
14:00 Piano Education and Violence: Investigation of the Phenomenon of Chinese Children Experiencing Violence during their Piano Education. Zang Yibing
14:30 Individual Intention and Social Pressure: Piano Education in China. Wu Yameng
IIC9 Global-Local Interactions
13:30 Study on the Relationship between Kgal Laox’s Model of Performance and the Kam People’s Traditional Social Structure. Yang Xiao
14:00 When the Local Meets the Global: Music in Crouching Tiger, Hidden Dragon (Ang Lee, 2000). Su Yen-Ying
14:30 Musical Creativity, Globalization, and Spiritual Transformation: Exploring Processes of Creativity Amongst “Indigenous Cosmopolitan” Musicians. Uday Balasundaram
15:00 The SIBOD Way: A Local Ideology’s Response to Global Agents of Change. Maria Christine Muyco
IIC10 New Music for Traditional Asian Instruments
13:30 Contemporary Compositions Inspired by Traditional Korean Music: Chiyong and Arirang. Bohi Gim Ban
14:00 In Search of Authenticity: The Hong Kong Chinese Orchestra at the Cultural Crossroads. Esther Yu
14:30 Modern Representation of Korean Traditional Washing Ritual for the Dead and its Musical Adaptation. Mikyung Park
15:00 State-sponsored "Ethnic" Orchestras and Multicultural Policy in Singapore. Shzr Ee Tan
IIC11 (in Chinese) Continuity and Change in Han and Non-Han Chinese Music Traditions I
13:30 Performance Onstage and Voices behind the Scenes: Discussing Changes in Political Functions and Cultural Attributes of Peking Opera Expressed by Different Versions of The Legend of the Red Lantern. Zhou Le
14:00 Art Characteristics in the Accompaniments of Plucked String Instruments to Danxian and Tanci Quyi Music. Jiang Shan
14:30 The Inheritance Thread of Yi Culture in Southern Yunnan Reflected by the Phenomenon of Hailai "Song Masters." Su Yimiao
IIC12 Workshop: The Characteristics and Use of luogujing in Chinese Traditional Percussion Music. Peng Yu
15:30 - 16:00 Tea and Coffee Break
IID Paper Sessions (16:00 - 18:00)
IID1 Filling in the Gaps of Religious and Instrumental Music Traditions. Kimasi L. Browne, chair
16:00 "Old-School Worship": An African American Megachurch Celebrating the Past and Church Traditions through Re-enactment. Birgitta Johnson
16:30 "A Glimpse into the Past" (1962-2012): Documenting the Musical Instrument Collection at Addis Ababa University, Ethiopia. Cynthia Tse Kimberlin
17:00 African-American-style Gospel Choirs in Beijing's Central Conservatory of Music. Kimasi L. Browne
IID2 Regional, National, and Transnational Perspectives on Musical Instruments
16:00 A Study on the Origin and Historical Development of the Vietnamese Pipa from Chinese and Vietnamese Historical Records. Thanh Ha Nguyen
16:30 The Transition of the Representations of Chinese Sizhu Ensembles in the 20th Century: A Study of the Four Primary Musical Types in South China. Guo Shuhui
17:00 Revisiting the Corneta China: Claiming a Place for Chinese Music in Cuban Conga Practice. Beth Szcepanski
17:30 Winds of Change: Nationalism and Orientalism of the Taegŭm. Hyelim Kim
IID3 Reviving, Reconstructing, and Reconsidering Traditional Musics
16:00 “Há Fado na Mouraria!” Reviving Musical Pasts and Urban Renewal in One of Lisbon's Historical Quarters. Iñigo Sánchez
16:30 Egle Cetina or The Folkloristic Practice as a Manifestation of a Cultural Identity. Nuša Hauser
17:00 The Performance of Scottish Fiddle Music: Or, Living Tradition. Ronnie Gibson
17:30 Reconstruction of the Musical Identity in the Republic of Macedonia. Velika Stojkova Serafimovska
IID4 Taoist Music and Ritual I
16:00 The Practice and Heritage of Taiwanese Taoist Music. Lee Schu-chi
16:30 A Case Study of “Jie Hu Gong” Ritual and Soundscapes in Pan’an county of China Today. Lin Lijun
17:00 Zaoke (Morning Liturgy) of Chenghuang (Old City's Temple) and the Music: My Perspectives on the Role of “Music” in Zaoke (Morning Liturgy). Li Yiwen
17:30 Order and Identity: Interpersonal Communication in the Ritual Music of the Gannan Taoist Festival. Jiang Xie
16:00 The Melodic and the Rhythmic Characteristics of Zeybek Music in Aydin, Turkey. Ali Fuat Aydin
16:30 The Legacy of Istanbul 2010: European Capital of Culture. Leslie Hall
17:00 Reconstruction of Ottoman 15th Century Maqam Theory. Okan Murat Öztürk
17:30 From Vahdet-i Vücud to Vahdet-i Mevcut: A Discussion of the Perception of God in Anatolia during the İslamic Period, based on the Concepts of Semah and Sema. Cenk Güray
IID7 Social and Educational Processes in African Music
16:00 Ewe Culture As Expressed in Ghana, West Africa: From the Village to the Stage. Zelma Badu-Younge
16:30 The Music and Dance Traditions of Ghana as Total Work of Art: The Interdisciplinarity of the Musical Arts of Ghana. Paschal Younge
17:00 Integrating African Indigenous Knowledge Systems (AIKS) in Music Education in Ghana: A Reality or Mirage? Cosmas Worlanyo Kofi Mereku
17:30 The Embedded Pathway (EP) Approach: Music Classroom Processes from Kenya. Evelyne Mushira
IID8 Traditional Musics in Contemporary Contexts
16:00 Superseding the Real? The Dawning of the Simulacra in Orang Asli Traditional Music and Dance Performances. Clare Chan
16:30 Contextual Performance of Teduray Agong Music and Dance. Rowena Cristina Guevara
17:00 Performing Heritage or Cultural "Profiteering": Reconceptualizing and Reconstructing Russianness in Southeast Alaska. Jonathan Johnston
17:30 Music for the Kazakh Folk Instruments in Contemporary Culture. Umitzhan Dzhuakova
IID9 Transmission and Function in Chinese Music
16:00 Music Education as Identity: The Curriculum Development of Cantonese Opera in Primary and Secondary Schools in Hong Kong. Lee Siu-yan
16:30 Comprehending Guqin Music by Means of the Links between Guqin Techniques and the System of Guqin Music. Zhao Wenyi
17:00 The Construction of the Qiqin Instrument and its Use in Wuyin Opera. Wang Ying
17:30 Relationship between the Forming of Absolute Pitch Ability and the Roles of Mother Language and Early Music Training. LI Xiaonuo and Le Jinghong
IID10 Southeast Asian Music and Theatre
16:00 The Imaginary Space: Intercultural Exchange through Composition and Performance in Malaysia. Andrew Blackburn and Affendi Bin Ramli
16:30 New Sonorous Objects: Analyzing Balinese Music Using 3D Modeling and Printing. Andrew McGraw
17:00 Di depan dan di belakang kelir (In Front of and Behind the Screen): On the Concept of "Screen" in Filming Balinese Wayang Kulit (shadow puppetry). Hideki Isoda
17:30 Thai Classical Music Community on Cyberspace: A Case Study of the Webboard inhttp://www.thaikids.com. Iyared Boonyarit
IID11 (in Chinese) Continuity and Change in Han and Non-Han Chinese Music Traditions II
16:00 A Survey on the Current Situation of Zhui Zi Drama in Shenze County. Liu Dongxing
16:30 A Study of the Affinity between Xintianyou of Northern Shaanxi and Anciant Turk Folksong. Niu Dongmei
17:00 On the Classification of Chinese Folk Music. Sun Fan
IID12 Film Screenings
16:00 Street Is Mine: Identity & Aesthetics in Hong Kong’s Bboying Scene. Alexander Hochner
17:00 Moon Mistress Rite of the Floral-belt Dai. Wu Qiao
Saturday, July 13
IIIA Paper Sessions (8:15 - 9:45)
IIIA1 Perspectives in African Popular Musics
8:15 Reinventing Ethnomusicological Pasts as Seen from a South African Perspective. Alvin Petersen
8:45 The Musical Enhancement of “Deep” Language in Ugandan Kadongo Kamu. David G. Pier
9:15 Osadeve's "Ekobe" and the Myth of Cross-cultural Development of African Highlife: New Directions in Nigerian-Ghanian Connections. Ndubuisi Nnamani
IIIA2 Music, Taboos and Values: Musical Creativities as a Tool for Shaping New Identities among the Tao (indigenous ethnic group of Taiwan). Wei-Ya Lin, chair
8:15 To Change and not to Change: Recreating Frames for our Identity: Boat Construction Project "IPAN-GA NA1001 (Crossing 1001)" in 2007. Jian-Ping Guo
8:45 Musical Creativities as a Tool for Shaping New Identities. Greg Hurworth
9:15 Musical Creativities as a Tool for Shaping New Identities. Wei-Ya Lin
IIIA3 Corporeal Connections: Healing, Musical Embodiment, and Kinetic Patterning in Southeast Asian Performing Arts. Made Mantle Hood, chair
8:15 The Body Becoming: Mak Yong’s Menghadap Rebab as a Transformative Performance. Patricia Hardwick
8:45 "Persistent Mutualisms": Observing Transmission in the Symbiotic Relationship Between Balinese Dancer and Drummer. Made Mantle Hood
9:15 The Body as Musical Embodiment in Balinese Performing Arts. Ako Mashino
IIIA4 Multipart Music Making as Behavior and Construction Process: European Perspectives. Ardian Ahmedaja, chair
8:15 "Sound Social Bodies" in the Gascon Pyrenees: Musical Strategies and Social Representations. Jean-Jacques Castéret
8:45 Multipart Singing Performances as Interaction of Identities. Ignazio Macchiarella
9:15 The Making of the Leader in Multipart Music: Experiences in the Border Area of Albania, Greece, and Macedonia. Ardian Ahmedaja
IIIA5 Music, Theatre, and Dance in Malaysia
8:15 Dama Orchestra’s Empress Wu–The Musical: Staging Tang Dynasty on a Contemporary Malaysian Stage. Fung Chiat Loo
8:45 The Malaysian Lion Dance: Bridging National Unity through Ethnic Instruments. Fung Ying Loo
IIIA6 Politics, Nation, and History in African Musics
8:15 Tshikona and Cultural Nationalism: A Venda Art Form Past and Present. Laina Gumboreshumba
8:45 Sifting the Past: Ganda Politics in Kawuugulu Clan- and Royal-based Musical Performances. Damascus Kafumbe
9:15 Negotiating the Rebuilding and Reinvention of Zambian Musical History through Kalindula Music. Kapambwe Lumbwe
IIIA7 Religious Music and Culture Contact
8:15 Music of the Arab-Anglicans in Israel: Dynamics of Ethno-Religious Identity. Alex Rosenblatt
8:45 Indigenization and Secularization of Christian Hymns Of the Miao Ethnic Group in Northern Yunnan. Hua Hui Juan
9:15Presenting the Image of Minority Christians through Public Performances: A Case Study of the Lisu Farmer Choir in a Small Village of Yunnan. Diao Ying
IIIA8 Plucked Strings and the Imagination
8:15 Strings Can Tell: The Application of Pipa Music in the Movies. Zhu Rui
8:45 Aloha in the Heart: Japanese Slack Key Guitarists Re-imagine Japanese and Hawaiian Identity. Kevin Fellezs
9:15 Modern Audio-visual Art in Antiquity: Talking about Film music using GuQin. Zeng Fanzhong
IIIA9 Festivals and Celebrations
8:15 The Music of the Gangneung Danoje Festival in South Korea. Zhong Fangfang
8:45 On the Singing and Dancing of Some Asian Sufi Communities and Shamans. János Sipos
IIIA10 Rock Music around the World
8:15 Maya Rock in Contemporary Guatemala. Nanako Taki
8:45 The Imaginary Geneology: Historical Narrative and Poetic Valorization in Extreme Metal Music. Chu Meng Tze
9:15 Born to Die: A Study of the Rock Star's Extraordinary Death. Zhao Fang Fang
IIIA11 (in Chinese) Continuity and Change in Han and Non-Han Chinese Music Traditions II
8:15 Creative Thinking and Construction of Crossover in Ethnic Jazz Music: The Case of the “Orbit Folks” Orchestra. Chen Yingduo
8:45 Changes in EZhou-Paiziluo. Xu Le
9:15 The Vitality of “Yin yue hui” in the Modern Society of Central Hebei Province, China. Qi Yi
10:15 When Ethnography Meets History: Longitudinal Research in Ethnomusicology. Kay Kaufman Shelemay
10:45 Rethinking "Past" and Creating "Present": Activities of Gagaku Musician Shiba Sukeyasu. Naoko Terauchi
11:15 The Past is our Future! A Narrative Analysis of the Ukulele Story. Gisa Jähnichen
11:45 Rewriting the History of the Shanghai Municipal Orchestra: “Shanghai Western Music History” Reconstructed and Reinterpreted, and Meaning Re-explored. Tang Yating
12:15 - 13:30 Lunch
IIIC Paper Sessions (13:30 - 15:30)
IIIC1 Music and Cultural Memory in “Post-s” Societies, Part I: Theoretical Gaze(s). Ana Hofman, chair
13:30 Germanic Mythology in Music: Cultural Memory and Conflict within the Framwork of Modern Globalization. Britta Sweers
14:00 Music, Memory, and Affect in Post-Yugoslav spaces. Ana Hofman
14:30 Socialist Music Legacy: Stanisław Moniuszko as a Polish National Prophet in the Light of Social Representation Theory. Agnieszka Tsopolska
15:00 "If there is something to be changed in this world, it can only happen through music" (Jimi Hendrix): Musical Memory from Central-Eastern Europe from the Angles of Post-colonial Theories and Psychosociological Theories. Iren Kertes Wilkinson
IIIC2 Sinmyeong and the Symbolism of Korean Traditional Music. Kwon Oh-Sung, chair
13:30 When do the Villagers Experience the Communal Catharsis? The Notion of Sinmyeong in a Village Ritual Music. Lee Yong-Shik
14:00 Sinmyeong in Korean Folksongs. Kim Insuk
14:30 Finding Sinmyeong in Korean Christians:“Isn’t It Pagan to Use Pungmul (Farmers’ Band) in the Church?" Kim Myosin
15:00 Sinmyeong in Byeolsingut, a Shaman Ritual from the Eastern Coastal Region of the Korean Peninsula. Kwon Oh-Sung
IIIC3 Music, Diasporas, and Homelands
13:30 Music and History in the Liturgy of the Spanish-Portuguese Jews. Essica Marks
14:00 Musical Migrations and the Peopling of Japan. Patrick Savage
14:30 Music as a "Site of Memory": Articulation of Homeland in the Saharawi Diaspora in Andalusia, Spain. Sabrina Maria Salis
15:00 Strategies of Reinterpretation in Gome Musical Performances. Barbara Hampton
IIIC4 Daoist Music and Ritual II
13:30 The Inheritance Thread of Yi Culture in Southern Yunnan Reflected by the Phenomenon of Hailai "Song Masters." Liu Hong
14:00 Ritual Soundscape as an Expressioni of the Interaction between Two Types of Ritual Specialists of the Xiangxi Miao Minority Group of Northwest Hunan and Guizhou Provinces. Wei Yukun
14:30 Between Ritual Sounds and Religious Identity: Discussion of a Case Study of Taoist Ritual. Wang Dun
15:00 The Suona Musical Band in Peasant Funerals of Suining Village, Northern Jiangsu Province, China. Zhao Yanhui
IIIC5 Change in Contemporary Ritual Music and Dance I
13:30 Continuing Changes in the Music of Taiwanese Folk Religion in Current Generation. Liou Yanfang
14:00 Traditional Music in the Contemporary Setting among the Akamba People of Kenya. John Kilyungu Katuli
14:30 Prince Paripatra of Nakorn Sawan: Traditional Siamese Music Compositions and Western Military Brass Bands. Kritsakorn Onlamul
15:00 The Deer Dance in Guatemala: A Struggle Between Preservation and Profanation. Logan Elizabeth Clark
IIIC6 The Regenerative Power of Music
13:30 The Role of Music in Disaster-relief and Post-quake Reconstruction in Sichuan. Fu Juan
14:00 Musical Pathways toward Peace and Reconciliation:"Musicking," Religious Traditions, and Interfaith Dialogue. Roberta King
14:30 Requiem for Auschwitz as a Global Peacemaker. Zuzana Jurková
15:00 Engaging with the 20th Century Nationalist Past: Music Ethnography in European Politicized History Writing and Ideological Practice. Kjell Skyllstad
IIIC7 Minorities, Dance, and Ritual
13:30 Performing Minority Indian Dance in Malaysia. Premalatha Thiagaraajan
14:00 Domination of National Dance of Minorities as a Result of Cultural Policy in the Soviet Union. Alla Sokolova
14:30 A Unique Dancing Room: A Hungarian Táncház in Cluj/Kolozsvár, Romania, between 1977 and 1983. Csilla Könczei
15:00 On Nyau Religion and Ritual among the Chewa People of Malawi. Robert Chanunkha
IIIC8 Indigenous Music in Contemporary Societies
13:30 Revival of Taiwanese Aboriginal Music: Nostalgia, Modernization, and Minority Struggling in Music Video Productions. Kwok Sun Lam
14:00 A Plains Cree Framework for Describing Canadian First Nations Gospel Gift Songs. Carl Urion
14:30 Musical Aesthetics of Indigenous Sustainability in Canadian Theatre. Klisala Harrison
15:00 Intangible Cultural Heritage or Politicised Commodity? The Case of Indigenous Musical Cultures of Hainan Island, China. Yang Mu
IIIC9 Music and Language
13:30 Effects of Nasal Words on the Traditional Chinese Vocal Music. Qian Rong
14:00 The Study for the Relationship between Language Tone and Melody in the Dong Minority. Zhao Xiaonan
IIIC10 Music, Poetry, and Ritual of the Silk Road
13:30 Treasures of Poetry in Jetisu, Kazakhstan. Baglan Babizhan
14:00 Troubadours of the Steppe. Meruert Kurmangaliyeva
14:30 Watching Taoist Rites: Observing Baiyun Mountain's Taoist Ritual in Northern Shanxi. Su Yimiao
15:00 Intangible Cultural Heritage and Illegal Gatherings: Reflections on the Uyghur Meshrep. Rachel Harris
IIIC11 (in Chinese) Music in East Asian Historical Research
13:30 The Forms of Frets on the Gogen-Biwa. Wen He
14:00 The Differences between Chinese and Japanese Zither Performing Styles under the Influence of Socio-Cultural Environments. Li Qiming
14:30 Folk Music Documents in Song Dynasty Notes. Zeng Meiyue
IIIC12 Workshop: Tao to Now. Randy Raine-Reusch
15:30 - 16:00 Tea and Coffee Break
IIID Paper Sessions (16:00 - 18:00)
IIID1 Music and Cultural Memory in “Post-s” Societies, Part II: Glocal Dynamics
16:00 (Re-)Constructing Montenegrin National Cultural Memory through the Opera Balkanska Carica (Balkan Empress) by Dionisio de Sarno-San Giorgio, 1891–2006. Tatjana Marković
16:30 History Reenacted on Stage: Comparing the Examples of "National Rock" Musicians Karpatia and Thompson. Marko Stojanovska Rupčić
17:00 History, Cultural Identity, and Diversity: From“Turkish Music” to “Musics of Turkey.” Diler Özer Efe
17:30 The Changes in the '90s, Slovenian Emigrants and Music. Maša Marty
IIID2 Strategies in the Reshaping of East Asian Musical Traditions. Lee Tong Soon, chair
16:00 Performing Military Knowledge in Korean Armies: P’ansori and the Late Chŏson Military and Social Reforms. Kang Hyeok-Hweon
16:30 Accommodation and Adaptation of Chaoxianzu Music in Contemporary South Korea. Koo Sunhee
17:00 Constructing and Reinventing China Beyond the PRC: Dialects, Instrumental Music, and Chinese Movies of Post-1949 Colonial Hong Kong. Yu Siu Wah
17:30 Discussant: Lee Tong Soon
IIID3 Experimentation and Innovation in Chinese Musical Theatre
16:00 Musical-Dramatic Experimentation in the Yangbanxi: A Case for Precedence in The Great Wall. John Winzenburg
16:30 The Break with Tradition: Changes in Taiwanese Beiguan Opera from 1960 Onwards. Shih Yingpin
17:00 Putting Theory into Practice: Yu Huiyong and the Model Opera Azalea Mountain. Yawen Ludden
IIID4 Ritual, Dance, and Shamanism
16:00 Dancing for Deities: Religious Dancing and Two Shaman Traditions of Asia. Debanjali Biswas
16:30 The Sacrifice on the Altar: A Study on the Tianpo (female shamans) of the Zhuang Ethnic Group in Guangxi. Sun Hang
17:00 Dualistic Opposites or Syncretism? Folk Belief Shows in Ritual Soundscapes. Tan Zhi
17:30 The Ritual of Ayahuasca: "Hierofonia" the União do Vegetal (UDV). Patricia Lima
IIID5 Roundtable: Exploring Music in China’s New African Diaspora. Su Zheng, Chair. Sun Yan, Zhang Luan, Ma Chengcheng, Su Zheng, participants
IIID6 Explorations in Asian Popular Music
16:00 Development of Indonesian Dangdut Music Under the Socio-Cultural Transformation in Taiwan. Hsieh Shoufan
16:30 “Back From the Grave”: Pop Culture Revivalisms and the Case of the Garage Rock Scene in Tokyo, Japan. Jose Neglia
17:00 Regional Popular Music in Indonesia as a Spectacle of Excess. Andrew Weintraub
17:30 Sung Narratives, YouTube, and Power Reggae Minang: Storytelling Pop Stars from West Sumatra, Indonesia. Megan Collins
IIID7 Understanding and Performing Musical Pasts
16:00 Towards an Historically Informed Performance of Chinese Musics from the Past. François Picard
16:30 The Past of the Musical Past: Historical Reconstruction of Music in Song Dynasty China. Lars Christensen
17:00 A Case Study of Language and Pronunciation in Uzagaku Singing Repertories. Yeh Chiaying
IIID8 Music and Transmission
16:00 Three Dimensions and the Laws of Gong-che Pu in China's Musical Instrument Transmission. Wang Xianyan
16:30 Understanding Traditional Chinese Kung Fu Percussion Music through the Transmission Process. Colin McGuire
17:00 A Drum and Gong Musical Genre Retained in the Local Etiquette and Custom of the Jiangnan Area: A Study of Gong and Drum Xiao Paizi of Shaobo in Yangzhou. Shao Rong
IIID9 Transmission and Pedagogy in Music and Dance
16:00 Dancing the Past, Dancing the Future: Transmission and Polycultural Capital in the Pacific Diaspora of Auckland, New Zealand. Michelle Williams
16:30 Finding the Lesson in the Field: Research as Pedagogy. Jonathan Kramer and Alison Arnold
17:00 Tangos' Historical Traces and Complexity. Jörgen Torp
IIID10 Theory, Performance, and History
16:00 A Historical Observation on Standard Pitch in Chinese Traditional Music: A Case Study on the Dasheng Bell in the Song Dynasty. Li Youping
16:30 A Preliminary Study of a Charity Concert during the Beginning of the Japanese Colonial Period in Taiwan: A Case Study of the Taiwan Women’s Charity Association. Liang Hsiang-Yu
17:00 Farewell My People! Migration, Music, and Ritual Performance in the Andean Peru Carnival. Renzo Salvador Aroni Sulca
17:30 The Jewish Aspects of the Portuguese Romanceiro. Anne Caufriez
IIID11 (in Chinese) Roundtable: Melodic Structures, Ethnic Origins, and Population Migration. Wang Yaohua, chair. Wang Zhou, Chen Xingfeng, Guo Xiaoli, participants
IIID12 Film Screenings
16:00 A Journey Through Landscapes of Voice: Contemporary Encounters with Bolivian Music. Karen Croke
17:00 Songs of the Forest: Mawaca´s Tour to the Amazon. Magda Dourado Pucci
Sunday, July 14: Excursions
Monday, July 15
VA Paper Sessions (8:15 - 9:45)
VA1 The Invention of Traditions in Music and in Ethnomusicology. Manfred Bartmann and Evert Bisschop Boele, chairs
8:15 Olympic Morris? Englishness, Britishness, Tradition, and the 2012 London Olympics. Simon Keegan-Phipps
8:45 Watching Cows: Invention of Tradition and Construction of Identity in the Frisian Folk Music Revival. Evert Bisschop Boele
9:15 Use of Fake Traditions and Other Fake Materials for Teaching Ethnomusicology. Manfred Bartmann
VA2 Problematizing Music and its Presentations
8:15 A Criticism on the Beijing Traditional Music Festival. Liu Yong
8:45 Bad Gigs: Drumming through Princess of China. Deborah Wong
9:15 Ethnomusicology and Constructivism: the Construction of What, by What, with What Consequences? Johannes Brusila
VA3 Traditional Musics in New and Foreign Contexts
8:15 Indian Music in Slovenia through the Eyes of a South Asian Reseacher. Lasanthi Manaranjanie Kalinga Dona
8:45 Imparting and Inheriting Highland Bagpiping in New Zealand. Daniel Milosavljevic
9:15 Music and Solidarity: The Cultural Heritage of Miwa-kai. Alice Lumi Satomi
VA4 Laments, The Musical Expression of Loss and Bereavement: A View from Australia. Stephen Wild, chair
8:15 Laments in Transition: The Irish Influence on Australian Bush-Ranger Ballads. Jennifer Gall
8:45 Sorrowful Silence and Celebratory Sounds within the Chinese Communities of Three Australian Cities. Nicholas Ng
VA 5 Music, Memory, and Identity in Brazil
8:15 Reflections of the "Golden Atlantic" in Colonial Music of the Brazilian Interior. Barbara Alge
8:45 Social Memory: The Play of the Cocos from Caiana of Creole in Paraíba, Northern Brazil. Eurides Santos
9:15 Musical Identities in the Amazon through the Lambada. Paulo Murilo Guerreiro Do Amaral and Francinaldo Paz Júnior
VA6 Indian Classical Music and Classical Music in India
8:15 Kumar Gandharva and the Reinterpretation of Hindustani Music. Anubhuti Sharma
8:45 Hearing the Past: Song Style and History in North India. Meilu Ho
9:15 Towards a Musical Identity: Understanding the Western Classicists in India. Sebanti Chatterjee
VA7 Myth, Narrative, and Oral Literature
8:15 Stories, Songs, and Emotion: Exploring the Power of the Sung Refrain in Lihirian Oral Literature (New Ireland, Papua New Guinea). Kirsty Gillespie
8:45 Exploring Interconnectedness: Gestural Interaction between Storytellers and Audience Members in Suzhou ping-tan. Shi Yinyun
9:15 Survival in the Artistic Form of Music: Research on Chinese Peddling Songs. Zhang Xuan
9:45 - 10:15 Tea and Coffee Break
VB Plenary Session: Ethnomusicology, Ethnochoreology, and Education (10:15 - 12:15). Samuel Araújo, chair
10:15 Readings of the Aesthetic and Didactic Dynamics of African Indigenous Knowledge in Ritual, Music, and Dance: A Southern Nigerian Perspective. Marie Agatha Ozah
10:45 Transmission of Japanese Traditional Performing Arts in Schools: Its Advantages in Future Tradition and the Conflicts with Traditional Teaching Method. Satomi Oshio
11:15 Institutionalising and Adjudicating Culture: Children’s Dance Competitions in Bali, Indonesia. Jonathan McIntosh
11:45 Intangible Heritage? Toward an Ethnomusicological Approach to Heritage. Nina Graeff
12:15 - 13:30 Lunch
VC Paper Sessions (13:30 - 15:30)
VC1 Spheres of Negotiation: Religion, Tradition, Cultural Specialists, and Modernity in Taiwan. Tsai Tsungte, chair
13:30 “Peach Blossom Weeps Tears of Blood": The Negotiation of Cultural Specialists, Institutions, and Social Change in Japanese Colonial Taiwan. Chen Meichen
14:00 Tradition in Negotiation: Hakka People’s Wedding Ritual Music in Contemporary South Taiwan. Fan Yunching
14:30 Representations of the Foot-drum in Contemporary Stage Productions of Nanguan-related Performance Genres. Reinhard Straub
15:00 Appropriation and Articulation: "Tai-ke" Discourse and the Emergence of the "Techno Dancing God." Graham Dion
VC2 Australian Indigenous Approaches to Music and Dance: Education across Generations and Cultures: Lessons for Cultural Survival in a Globalised Age. Aaron Corn, chair
13:30 Echoing the Southern Cross: The Milpirri Festival as a Bridge to Learning Warlpiri Tradition across Generations and Cultures. Wanta Patrick and Yukihoro Doi
14:00 Manikay in Transit: The Dynamic Tradition of Crossing Roper Bar. Samuel Curkpatrick and Aaron Corn
14:30 A Shared Intention? The Convergence of Community Music and Reconciliation in Australia. Julie Rickwood
15:00 Singing Knowledge: Tiwi Elders Using Song as an Educational Tool. Genevieve Campbell
VC3 Continuity and Change in Chinese Opera
13:30 Tradition and Innovation: An Attempt in Cantonese Opera Adaptation. Chow Sze Sum
14:00 "Qinshi" and "Jinghu Yanzoujia": Negotiations between Tradition and Modernization in Jinghu Music. Li Huan
14:30 The Musical Accompaniment and Vocal Performance of Wuyin Opera. Qi Huimin
15:00 Between Improvisation and Convention: Reconfiguring the Neo-tradition of Luju Opera in Anhui Province of China. Yu Hui
VC4 Nostalgia, Myth, and Ideology in European Folk Music
13:30 The "Old Castle," An Ethnographic Fairy Tale: Myth or Reality? Athena Katsanevaki
14:00 “Who taught you those Smyrnean songs?” Musical Nostalgia for the Greek “Lost Homelands.” Basma Zerouali
14:30 Is it a Musical Heritage? Marc-Antoine Camp
15:00 Scottish Folk Music and Conceptualisation: A Study of Ideological Construction in the Contemporary Professional Scene. Seán McLaughlin
VC5 Role and Function of Music in Ritual II
13:30 Intermixing/Ritualisation: The Search for Aesthetic/Movements in Kavadi Attam. A. P. Rajaram Nil
14:00 Music—A Gate to a Cultural Realm. Uri Sharvit
14:30 Shifting Thresholds of the Audible: Listening Closer to Overtone Singing in Sardinia and Tibet. Mark Van Tongeren
15:00 The Rites and Beliefs Related to Music of the Tai Yai Immigrants in Northern Thailand. Bussakorn Binson
VC6 Change in Contemporary Ritual Music and Dance II
13:30 A Dying Art: Changing Performance Contexts and the Irish Wake Ritual. Narelle McCoy
14:00 Changes in the Presentation of Musics and Dance of the Achang People in Yunnan during the Woluo Festival. Gretel Schwoerer-Kohl
14:30 The Influence of Christian, Muslim, and Buddhist Revived Religious Groups and Communities on Modern Russian Culture. Elena Shishkina
15:00 Regadda: A Local Moroccan Pop Music and its Cultural Context. Tony Langlois
VC7 Music and National Sensibilities
13:30 From 1893 to the Present: Hawaiian Resistance Music. Kimo Armitage
14:00 How Talking About Music Teaches Us to be Canadians: Authenticating Discourses, Defining Boundaries, and Debunking Diversity. Rebecca Draisey-Collishaw
14:30 Sounding Place, Hearing Taiwan: A Case Study of the 1928 Prize Competition for “Songs of Taiwan.” Madan Ho
15:00 "Arirang": What Does it Mean for Koreans? Sheen Dae-Cheol
VC8 Musical Instruments in Cross-Cultural Perspective
13:30 Korean Pyeong-jo and Japanese Hyo-jo (Using the Music Played by Piri and Hichiriki ). Yunkyong Jin
14:00 An Instrument on the India-Pakistan Border: Reconstructing a Cultural History of the Kamaicha of the Manganiyar of Rajasthan. Shalini Ayyagari
14:30 Comparative Study Of Yunnan Minorities' Instruments and East African Folk Instruments. Wu Xueyuan
15:00 Australian Guitar Music with Vietnamese Cultural Influences. Le-Tuyen Nguyen
VC9 Representation and Misrepresentation in Film
13:30 Music and Racial Stereotypes in American Cartoons. Thomas Solomon
14:00 “You Couldn’t Take it Down in Our Scale”: Traditional Song and the Musical Score to C. P. Mountford’s Documentary Films. Anthony Linden Jones
14:30 Localized or Hybridized Practice: Revival of Cantonese Opera and Peking Opera in the Current Cinema of Hong Kong and China. Carol Ling-yan Cheng
15:00 "O Beloved" and "Kodava Hero": "Internal Exotics" in Indian Film Songs. John Napier
VC10 Hierarchies Dominating Dance Curricula Design, Part 1: Performative Aspects. Anne Margrete Fiskvit, chair
13:30 The Place of Creativity in Teaching Dance. Anne Margrete Fiskvik
14:00 Traditional Dance as Dance Art. Siri Maeland
14:30 An Analytical or Pragmatic Approach to the Teaching of Dance. Marit Stranden
15:00 Live Music in Teaching Dance. Gro Marie Svidal
VC12 Issues and Challenges in Ethnographic Film and Video Documentation
13:30 An Ethnomusicological-television Experience in Calabar, Nigeria: Ethics and Methodological Issues. Leonard D'Amico
14:00 It’s Now or Never: A Forward-Ahead Possibility for Cultural Media Documentation. Alexander Dea
14:30 Documentaries to Introduce an Intangible Cultural Heritage Project at UNESCO: A Critical Discussion: Yves Defrance
15:30 - 16:00 Tea and Coffee Break
VD Paper Sessions (16:00 - 18:00)
VD1 Re-examining the Discouse and Practice of Traditional African Musical Arts through a Postcolonial Lens. Rose A. Omollo-Ongati, chair
16:00 The Call and Response Construct in African Music: Dialogue. Rose A. Omollo-Ongati
16:30 Preservation, Evolution, or Distortion? The Africanness in the Practice of Adaptations and Arrangements at the Kenyan Music Festival. Jacqueline Zinale Bullindah
17:00 The Tradition of African Instrumental Music Performance at the Kenya Music Festival. Malachi Apudo Achola
17:30 (Mis)Representation of African Traditional Music at the Kenya Music Festival. Wycliffe Omondi Obiero
VD2 History and Practice in Asian Popular Music
16:00 When Dead Stars Sing: Rethinking Japan’s Musical Past through the Posthumous Duet. Shelley Brunt
16:30 Music for Ballroom Dance: Thailand's History of Establishment and Songs of Thai-owned Compositions. Kamontam Kuabutr
17:00 Musicking Tourism: Music Performance in Bars and the Tourist Industry in Contemporary Lijiang, Yunnan. Yang Shuo
17:30 The Global Production and Consumption of K-Musicals, and the Cultural-scape of Hallyu. Hee-Sun Kim
VD3 From "Green Island" to "Dragon Gate": Tracing the Great Composer Zhou Lanping’s Life and Work. Chen Szu-Wei, chair
16:00 Zhou Lanping and the Legendry "Green Island Serenade." Shen Tung
16:30 Reexamining the 1950s and 1960s: Repositioning Taiwan in Mandopop History. Chen Szu-Wei
17:00 A History-making Year: Zhou Lanping and his Film scores from 1962-1963. Edwin W. Chen
17:30 An Imaginary Soundscape of Ancient China: Zhou Lanping’s Music in Come Drink with Me and Dragon Gate Inn. Luo Aimei
VD4 History and Transmission in Asian Musics
16:00 Reconstructing and Redefining Music from the Past: A Balinese Case Study. Peter Dunbar-Hall and Vaughn Hatch
16:30 Rethinking the Presence of Gamelan in the Nineteenth-Century World's Fairs. Sumarsam
17:00 Transmission Center Culture: Structuring the Experience of P’ilbong P’ungmul Percussion Band Music and Dance in South Korea. Donna Kwon
17:30 Whose Flute, Song, Dance, and Drum is This? Tracing the Tangled Tibetan, Qiang, and Bei Origins of a Musical Heritage in Northwest China. Chen Pan
VD5 Roundtable: Musical Relations and Sound Mediation in Colonial-Era East Asia. Yamauchi Fumitaka, chair. Wang Ying-fen, Andrew Steen, Yung Sai-shing, Lin Tai-wei, participants
VD6 Roma Music and Musicians
16:00 Music, Place and Identity: Diversity of Musical Identity among Finnish Roma. Kai Viijami Åberg
16:30 Schismogenesis of Ethnic Cultural Capital in Romanian Lautaresca Music. Jun'ichiro Suwa
17:00 Music and Identity (an Example of Roma/Gypsy Music from Eastern Europe). Elena Marushiakova and Vesselin Popov
17:30 Roma (Cigány) Musicians as Preservers of Non-Roma Traditions in Hungarian Music and Dance: Recent Social and Formal Implications. Judith E. Olson
VD7 Tradition and Difference in Japanese Performing Arts
16:00 Rhythms of Difference: Eisā and Multiculturalism in Modern Japan. Matt Gillan
16:30 Appreciation of Music and Dance Performance as Imperial Obligation in Royal Ceremonial Visits of the Ancient Japanese Court. Michiko Hirama
17:00 Naniwa-bushi: A Neo-traditional Narrative Genre in Modern Japan. Alison Tokita
17:30 This Is Our Music: Maintaining Local Identity in a Japanese Rural Festival. Kirk King
VD8 Hierarchies Dominating Dance Curricula Design, Part II: Aspects of Theory. Egil Bakka, chair
16:00 Philosophical Discussion on the Hierarchies of Dance Genres. Gediminas Karoblis
16:30 Hierarchies in the Teaching of Dance History. Elizabeth Svarstad-Lauritsen
17:00 Political Dimensions in Dance Curriculum Design.Georgiana Gore
17:30 Changing Values in Dance Transmission Systems. Egil Bakka
VD9 Cross-Cultural Pespectives on Musical Transmission and Reception
16:00 Advocating Traditional Musics through Musicianship Education. Peter Fielding
16:30 Sketching without Borders: Enescu's Violin Sonata No. 3 and the Development of his Late Compositional Idiom. Henry Stoll
17:00 Dance In and Dance Out of the Archive: Some Reflections about Collecting and Use of Archived Dance Material. Mats Nilsson
17:30 Exploring the Impact of Music on Refugee Children’s Lives in Western Australia. Andrea Emberly and Andrzej Gwizdalski
VD10 History, Context, and Performance in Latin American Musics
16:00 Re-contextualizing and Re-creating Traditional Music and Culture in Mexico: “El Huerto” Cultural Center. Raquel Paraiso
16:30 Son jarocho and the Fandango Fronterizo: Deploying Traditional, Participatory Art Forms to Confront Contemporary Issues. Hannah Balcomb
17:00 Symbolic Neutralization or Emphatization of the Inequality? An Approach towards Current Musical Practices of Mapuche and Mbyá Young People Faced with Historically Troubled Alterity. Irma Ruiz
17:30 Beyond her Hips: A Sense of Togetherness in La Bomba in Chota. Maria Gabriela López Yánez
VD12 Film Screenings
16:00 Sorcerers of Nuomin River: Sacrifice Music of Race Muoli Dawoer Shaman. Liu Guiteng
17:00 Chèo Lives! Vietnamese Traditional Performance in Modern Times. Nguyen Thuy Tien and Pham Minh Huong
Tuesday, July 16
VIA Paper Sessions (8:15 - 9:45)
VIA1 Historical and Theoretical Discourse on Kazakh Traditional Musical Culture. Saida Yelemanova, chair
8:15 Origins of Music in Kazakh Rites of Passage. Saida Yelemanova
8:45 Musical Objectivity. Ilyas Kojabekov
9:15 On the Question of Historical Periodization of Kazakh Traditional Instrumental Music. Janghaly Juzbay
VIA2 Zapin and"‘Silent" Dhikr, Berjamu Feasting, Momurinait Sacred Chanting, Gong Music, and Dance: Religion and Ritual in Insular Southeast Asian Performative Genres. Mohd Anis Md Nor, chair
8:15 Ritual of the Qalb: Performative Sufism in Zapin. Mohd Anis Md Nor
8:45 Feasting, Paying Homage, Adjusting the Winds: The Berjamu Ritual in the Malay Shadow Puppet (wayang kulit) Theater. Patricia Matusky
9:15 Balancing the Human and Spiritual Worlds: Ritual, Music, and Dance among Dusunic Societies in Sabah. Jacqueline Pugh-Kitingan
VIA3 New Musical Perspectives on the Colonial Modernity of Shanghai, 1880s-1940s: Western Genres in Local Conditions. Junko Iguchi, chair
8:15 The Shanghai Municipal Orchestra and Cultural Perspectives on the Shanghai Settlement. Yasuko Enomoto
8:45 Twentieth-Century Music Performed by Russian and Jewish Refugees in Wartime Shanghai. Junko Iguchi
VIA4 New Identities in African Music
8:15 Performance and Identity Construction: An Interdisciplinary Approach to the Study of the Bwiti Cult among the Fang (Gabon). Marie-France Mifune
8:45 Challenging Structural Violence: The Effects of Music Education on Health, Well-being, and Social Development in South Africa. Laryssa Whitaker
9:15 Re-contextualization of Shona Jakwara Music. Perminus Matiure
VIA5 Making the Past Serve the Present
8:15 The Pink Floyd Happening: Reflections on a Staged Past. Lars Kaijser
8:45 Whose Music? Representations of Musical “Others” in 21st Century Finland. Lari Aaltonen
9:15 Soundtrackers and Vinyl Chasers: Tradition and Authenticity in Retro Rock. Sverker Hyltén-Cavallius
VIA6 Ritual, History, and Modernization in Indian Music
8:15 Anecdotal Traces of the Past and the History of Hindustani Classical Music. Naresh Kumar
8:45 Exploring the Many Pasts of the Harballabh Festival of Punjab, 1913-2003. Radha Kapuria
9:15 Research on Ritual Music “Ganga Aarti” in Varanasi, India. Liu Xiaoqian
VIA7 Negotiation and Ethnicity in Southeast Asian Music and Dance
8:15 Performing Ethnicity: Portraying Minorities at the Cambodian Cultural Village: Becoming Minorities in the Diaspora. Celia Tuchman-Rosta.
8:45 Gendang Beleq: The Negotiation of a Music/Dance Form in Lombok, Indonesia. David Harnish
VIA8 Chinese Opera and Folk Music
8:15 Heterogeneous, Evolutive, Syncretic: An Overview of Three Decades' of Prosperity in Huju. Xu Tiantian
8:45 Analysis of the Musical Features of XiangKun Opera. Luo Yin
9:15 A Comparitive Study of the East Mongolian Duandiao and Manhandiao Folk Music. Zhang Lin
VIA12 Workshop: Overtone Singing in Siberia (Tuva, Mongolia). Tran Quang Hai
9:45 - 10:15 Tea and Coffee Break
VIB Plenary Session: Ritual, Religion, and the Performing Arts (10:15 -12:15). Anthony Seeger, chair
10:15 Magic Sound: Mantra, Song, and Musical Instrument of the Healing Perdukunan in Java. Tsai Tsungte
10:45 Dhamma Gita Songs: Sacred and Secular Musical Fusion in Buddhist Myanmar. Gavin Douglas
11:15 The Structure and Sonic Expressions of the Funeral Rituals of Han Chinese Living in the Yangzi River Valley Area. Qi Kun
11:45 Sharing and Borrowing Rituals. Susanne Fürniss
12:15 - 13:30 Lunch
VIC Keynote Lecture (13:30 - 15:00)
Shen Qia (China Conservatory of Music)
"Facing the Aphasic Dilemma: When We Try to Put Some of Music Sound into Proper Words"
15:00 - 15:30 Tea and Coffee Break
VID ICTM General Assembly (15:30 - 17:00)
Wednesday, July 17
VIIA Paper Sessions (8:15 - 9:45)
VIIA1 New Musical Perspectives on Colonial Modernity of Shanghai (1910s-1930s): Local Genres in a Metropolis. Joys Cheung, chair
8:15 Development of Cantonese Ensemble Music (Guangdong Yinyue) in Shanghai, 1910s to 1930s: Modernity of a Traditional Genre. Ruan Hong
8:45 Recovering the Musical Style and Philosophy of Li Jinhui’s Popular Songs: Negotiations and Continuity. Hung Fang-yi
9:15 Making Chinese Film Music in Colonial Shanghai (1930s): Unprecedented Sounds and Networks in Modernity. Joys Cheung
VIIA2 Towards Objective Assessment and Evaluation of Indigenous African Performing Arts at Kenyatta University. Wilson Shitandi, chair
8:15 Towards Objective Assessment and Evaluation of Indigenous African Performing Arts at Kenyatta University. Evelyne Mushira
8:45 Refocusing Strategies Towards Objective Assessment and Evaluation of Indigenous African Dance Performances at Kenyatta University. Aggrey Nganyi
9:15 Pedagogical Implications in the Assessment and Evaluation of Indigenous African Instrumental Performances at Kenyatta University. Wilson Shitandi
VIIA3 Classical Kunqu as History, Composition, and Social-political Discourse in Globalized China. Joseph S. C. Lam, chair
8:15 What Makes a Late 18th-century Kunqu Notational Source Seminal? A Critical Reading of the Prefaces in Ye Tang's Nashuying Qupu. Ho-Chak Law
8:45 Ethnography and Aesthetic Experience in Contemporary Kun Opera Composition. Juliane Jones
9:15 Escorting Miss Jing Home: An Operatic Journey of Chinese Politics, Gender, and Heroism. Joseph S. C. Lam
VIIA4 Music and Dance in Some Vietnamese Shamanism Rituals. Le Van Toan, chair
8:15 Music and Dance in the Pồn Pôông Ceremony of the Mường People in Thanh Hóa Province in Central Vietnam. Nguyen Bihn Dinh
8:45 Music and Dance in the Xên Lẩu Nó Ceremony of the Thái đen People in Northeastern Vietnam. Do Thi Thanh Nhan
9:15 Music and Dance in Hầu bóng Mediumship Rituals of the Việt People and their Changes in Modern Life. Ho Thi Hong Dung
VIIA5 Global Dance Cultures? Representation of Dances and Dance Traditions on YouTube. Elina Seye, chair
8:15 Home Dancing on YouTube: Exploring Dance and Internet Studies. Anu Laukkanen
8:45 Representing Tradition on YouTube. Elina Seye
9:15 Finnish Folk Dance on YouTube. Petri Hoppu
VIIA6 Problems of the Existence of Folklore and Oral Tradition in the Music Space of Kazakhstan.
8:15 Orchestra of Kazakh Folk Instruments: The Problem of Performance Repertoire and Instruments. Toizhan Yeginbayeva
8:45 Revised Versions of the Kazakh Folk Songs as New Musical-original Music in Kazakhstan’s Culture. Vladimir Manyakin
VIIA7 Mongolia and its Neighbors
8:15 “Representing Cultures”: Folk Song of Mongolia, Shanxi, and Shaanxi at the China Man-Han-Diao Art Festival, 2012. Yang Hong
8:45 Staging the Grassland Spirit: Chi Bulag and Morin Huur (Horse-Head Fiddle) Reform in the People’s Republic of China. Charlotte D'Evelyn
9:15 Performing Transition in Mongolia: Kazakh Musicians and (their) Mongolian Identities. Jennifer C. Post
VIIA8 Exploring Conceptual and Geographic Boundaries
8:15 Senses and Perception/Body-Culture. Joana Mascarenhas and Clélia
8:45 Generative Audience and Cultural Industry: The Use of Entrainment “Meta” Frequency in the Mirror of the Theory of Entrainment. Diana Grgurić
9:15 Hornbostel and the Uttermost Sounds of the Earth. Miguel A. Garcia
VIIA9 Forum: Harmony, Melody, and Melharmony. Vanita Suresh, chair. Vanita Suresh and Chitravina A. Ravikiran, participants
9:45 - 10:15 Tea and Coffee Break
VIIB Plenary Session: Sreening Music and Dance (10:15 - 12:15). Dan Bendrups, chair.
10:15 Rendering Music through Film. Charlotte Vignau
10:45 Learning Rhythm Patterns through Video Data: The Chinese Dragon Dance between Singapore and Hong Kong. Kyoko Tsujimoto
11:15 Pushing and Pulling: Documenting Newfoundland Accordion Histories. Beverley Diamond, Kati Szego, and Meghan Forsyth
11:45 - 13:30 Lunch (note: extended time for lunch hour!)
VIIC Paper Sessions (13:30 - 15:30)
VIIC1 Roundtable: ICTM and the World of Ethnomusicology, Part 1: ICTM from the Inside. Svanibor Pettan, chair. Salwa El-Shawan Castelo-Branco, Svanibor Pettan, Anthony Seeger, Ricardo D. Trimillos, Stephen Wild, participants
VIIC2 New Perspectives on Chinese Music History and Historiography. Jonathan P. J. Stock, chair
13:30 Enduring Themes, Contrasting Accounts: A Comparative Approach to the Historiography of Chinese Music. Jonathan P. J. Stock
14:00 Rethinking the Reconstruction of Tang Court Music. Zhao Weiping
14:30 Memory and Historiography: A Case Study of the Yangbanxi (Model Works). Yang Hon-Lun
15:00 Discussant: Mercedes Dujunco
VIIC3 Tradition and Invention in Oceania
13:30 A Night in Honolulu: Inventing Ernest Kaleihoku Kaai. Andrea Low
14:00 The "Purest" of Traditions. Jane Freeman Moulin
14:30 Japanese-American Musicians as Pioneers of “Japanese” Hawaiian Music. Minako Waseda
15:00 Singing the Past, Sounding the Present, Dancing the Future: Resurrecting Historical Hula Repertoire on the Contemporary Concert Stage. Amy Stillman
VIIC4 Music, Dance, and Community in European Folk Music
13:30 Upper Styrian Big Band Folk: A Case Study of Artistic Research Regarding the Use of Historical Resources in the Contemporary Musical Expression of a Rural Community in the European Alps. Michael Kahr
14:00 Identities in Motion: 50 Years of Bulgarian Dances within Different Political Contexts. Gergana Panova-Tekath
14:30 Doing Blackness: On the Relation between Dance, Discourse, and Experience. Charlotte Hyltén-Cavallius
15:00 The Quest for the Old Time (starina) in Russian Folk Music Discourse: Scholarship, Revival, and Online Communities. Ulrich Morgenstern
VIIC5 Music, Dance, and the Cosmos
13:30 Srimpi Limo: Dancing the Javanese Cosmos (Ritual Dance and East Javanese Mystical Symbolism). Karen-Elizabeth Schrieber
14:00 The Patient Boy: Worldview and Life Values of the Jola Bandial People of Senegal Reflected in a chante fable and its Performance. Sheila Macknzie Brown
14:30 Studying Kazakh Traditional Song, in the Context of Religious and Mythological Beliefs. Alya Sabyrova
15:00 Music, Ritual, and Cosmology of the Desana Group of Upper Niger River, Amazonas, Brazil. Lillian Barros
VIIC6 Music and Theatre on the Tibetan Plateau
13:30 Research on Tibetan Opera's Music Style and Characteristics. Tsering Numgyl Ci Reng Lang Jie
14:00 The Changing Singing Situation: Tibetan Love Songs "Layi" in Qilian County, Qinghai Province, in Contemporary Life. Li Yuehong
14:30 Nixi Qingwu: Musical Expression of Love among the Tibetans of Yunnan Province. Mi Pengxuan
15:00 The Sounds of Shangri La. Yang Xi
VIIC7 Women's Music and Women in Music
13:30 Music in Liminal Spaces: Gendered Performance in Mumbai’s LGBT Community. Jeff Roy
14:00 Female Songs in Northeast Argentina. Comparative Research between Ancient Female Songs and their Modern Meaning. Adriana Valeria Cerletti and Sylvia Citro
14:30 Recording a Movement? Aboriginal Women’s Music Recordings and Shifts in Identity Politics at the Start of the Twenty-First Century. Anna Hoefnagels
15:00 Juliette Gaultier, Marius Barbeau, and the (Re)presentation of Historic Sound Recordings on the 1920s Concert Stage. Judith Klassen
VIIC8 Music, Margins, and Crossroads
13:30 Transitional Music-Cultures and Worldviews of the Sea Nomad Minority and Settled Malay Majority in the Riau Islands, Indonesia. Margaret Kartomi
14:00 Ceremony System and Music Interpretation of East Ujimqin. Li Jiayin
14:30 Beyond the Nation, Border, and Ethnicity: Voices of People in a Small Place — A Case of the Ogasawara Islands. Masaya Shishikura
15:00 The Musical Crossroads of Vlachs in Northwestern Transcarpathia, Ukraine. Olha Kolomyets
VIIC9 Presenting and Teaching Music in Africa and the Arab World
13:30 Music and Bull Fighting among the Abaluhyia of Kenya. Charles Nyakiti Orawo
14:00 Formal Traditional Music Education of Ethiopia: The Case of Yaredic Music. Woube Kassaye
14:30 A Case Study: Fitting the Western Musical Culture into the UAE. Irena Mitevska Mileva
15:00 "Normalizing the Abnormal in the Land Reform Programme": The Effects of Polarization and Manipulation of the Local Music Scene. Bridget Chinouriri
VIIC10 Instrumental Traditions and Ensembles
13:30 Music Instruments in Ukiyo-e. Ury Eppstein
14:00 The Definition and Treatment of the Minority Dundun Ensemble Groups and the Consequences of their Impact on the Development of Music and Dance in Yoruba Land in Western Nigeria. Atinuke Adenike Idamoyibo
14:30 The Instrumental Tradition Zhetysu (Based on the South-East Region). Muptekeev Bazaraly Dzhumagulovich
15:00 Research on the Local Gong and Drum Music of the Yu Lin Band in the Town of Pine and Cypress, Shennongjia Region. Wang Mengyi
VIIC12 Film Screenings
13:30 “Love of the noise, love of the music”: Salvesen and Sankey in the South Pacific Islands. Michael Webb
14:30 Music of the Minorities of Northern Afghanistan. Razia Sultanova
15:30 - 16:00 Tea and Coffee Break
VIID Paper Sessions (16:00 - 18:00)
VIID1 Roundtable: ICTM and the World of Ethnomusicology, Part II: UNESCO, Scholarly Organizations, and ICTM's Global Impact. Naila Ceribašić, chair. Naila Ceribašić, Jean Kidula, Colin Quigley, J. Lawrence Witzleben, Xiao Mei, participants
VIID2 Court Music and Ritual in East Asia
16:00 The Drones in the Lute Melodies of Tōgaku and their Implication for the Historical Development of Tōgaku in Japan. Kwok Wai Ng
16:30 Reconstructing the Musical Past of the Fifteenth-century Chosŏn Dynasty: Information Regarding the Music Performed for the Sacrificial Rite at the Royal Ancestral Shrine in Eighteenth-century Sources. Anthony Law
17:00 Reconstruction of Imperial Rituals in Contemporary China. Gwendoline Cho-ning Kam
17:30 Between Two Countries and Across Fourteen Centuries: A Study on the Chinese Origin of the Japanese Gagaku Masterpiece Ran Ryôô. Yang Ming
VIID3 Participation, Autogenesis, Ethnoarts, and Practicality: Ideas and Tools that Minority Communities Can Use to Improve their Futures. Brian Schrag, chair
16:00 Creating Local Arts Together: Introducing an Applied Ethnoarts Field Manual. Brian Schrag
17:00 Sustaining Minority Expressive Culture: Relevant Music and Other Arts as a Bridge to Development Projects. Mary Saurman
17:30 Applied Ethnoarts Training for Academic and Field Settings. Robin Harris
VIID4 New Directions in Middle Eastern Music
16:00 Ritual of Zâr on the Iranian Border of the Persian Gulf. Maryam Gharasou
16:30 Cultural Symbiosis and Musical Mutualism: Trans-regional Arab Music Production, the Iraqi Diaspora, and the Music of Oman. Anne Katharine Rasmussen
17:00 Renaming an Instrument: The Old Turkish Kopuz Revived for the Bağlama. M. Emin Soyda
17:30 The Concept of Freedom in Arabesk Music. Serkan Şener
VIID5 History and Aesthetics in Kazakh Music
16:00 Orteke—Art of Kazakhs and other Turkic Nationalities. Bayan Abisheva
16: 30 The Evolution of Kazakh Musical Thinking. Gulnar Abdirakhman
17:00 Features of the Kazakh Musical Instrument “Zhetigen.” Korlan Kartenbayeva
17:30 Historical and Theoretical Discourse on Kazakh Traditional Musical Culture: The Musical Objectivity. Ilyas Kozhabekov
VIID6 Folk Musics and Folkloricization
16:00 Traditional Folk Music Appropriation by Venezuelan Pop and Art Musics: A Conceptual Scheme of its History and Present Tendencies. Emilio Mendoza
16:30 The "Rise of Modernity'" in the Transformation of Traditional Music: Development of the Korean Kayagum in Northeast China. Guan Bingyang
17:00 Musical Life Change through the Process of Urbanization: A Case Study on the Xilingol Grassland. Yang Yucheng
17:30 Udmurtian Traditional Singers on the Eurovision Song Contest Winners Pedestal: Traditional Folk Music of Finno-Ugric Nations in the Context of Fusional Music Festivals and Performances. Helen Kõmmus
VIID7 Challenges and Successes in Music Education
16:00 A Timeline for Music Education (TME) Study of Selected Repertoire from Teochew Music in Singapore. Joe Peters (Thau Yong Teochew)
16:30 The Problems of Teaching Kyrgyz Traditional Art. Rosa Amanova
17:00 Who Came to Music Schools to Learn the Cimbalom 100 Years Ago? An Analysis of the Student Register of the Royal Academy of Music Budapest. Mineo Ota
17:30 Status and Representation of Tradition inside the Conservatories: East and West. Xavier Bouvier
VIID8 Song, Environment, and Vocal Style
16:00 Konggap—Personal Songs of the Yupno in Papua New Guinea. Raymond Ammann
16:30 The Reappearance of She Ethnic Minority Singing in Different Ecological Environments. Lan Xue-Fei
17:00 Patterns in Representations of a Northwest China “Minority” Song Form and Its Singers: Sounds, Images, and Discourses of Multiculturalism, Ethnicity, and Place. Sue M. C. Tuohy
17:30 The Disappearing Falsetto: Changes in Vocal Technique of the She People of Eastern China. Zhu Tengjiao
VIID9 Improvisation and Creative Processes
16:00 An Aspect of Korean Jazz: A Common Denominator of Improvisation. Seung Min Kim
16:30 Creative Thinking and Construction of Crossover in Ethnic Jazz Music: The Case of the “Orbit Folks” Orchestra. Chen Yingduo
17:00 Chinese Shadow Play: Improvisation and Collaboration. Tang Lijiang
17:30 Identity, Tradition, and the Production of Lokal Music in Home-Based Recording Studios in Port Moresby, Papua New Guinea. Oliver Wilson
VIID10 Communication, Conventions, and Concepts in Chinese Music
16:00 Why Play Music? Analysis on the Music Cultural Connotation of the Yi People’s Buddhist Rituals for Ghost Communication in the Liangshan Area. Lu Jufang
16:30 Patterns and Conventions: Intellectual Property and Other Legal Issues of Chinese Music Websites. Wen Jingjing
17:00 Cultivating Inheritors and Transmitters of Traditional Music through Higher Education. Xu Hanmei
17:30 The Thinking of Insider and Outsider: The Music Education of Xinjiang Bole. Zhou Xian